First Wave
”Boom” 1999 24”x24 ” acrylic, glitter, plexiglass, beads,wire, canvas
”Boom” 1999 24”x24 ” acrylic, glitter, plexiglass, beads,wire, canvas
“Baby” (blacklight) 1999 18”x18” acrylic and glitter on wood
“Baby” (daylight) 1999 18”x18” acrylic and glitter on wood
"Yummy" 2001 7'7"x 7" mixed media on canvas
"Yummy" 2001 7'7"x 7" mixed media on canvas
2000 acrylic, glitter, plexiglass on canvasage.
2000 acrylic, glitter, plexiglass on canvas
daylight/blacklight 2002 mixed media in wood
1999 to Present
Jack’s question about how to translate the color pencil on black paper drawings:
Endocranial pyrotechnics into paint on canvas spark the creation of this work which uses fluorescent pigments on a black ground and involves the use of airbrush. This is the first wave of Bioluminescent Oceans which is about nothing but constant change, total freedom, and moments of pure ecstasy. It has no conceptual agenda other than to dance.
1999 to Present
Jack’s question about how to translate the color pencil on black paper drawings:
Endocranial pyrotechnics into paint on canvas spark the creation of this work which uses fluorescent pigments on a black ground and involves the use of airbrush. This is the first wave of Bioluminescent Oceans which is about nothing but constant change, total freedom, and moments of pure ecstasy. It has no conceptual agenda other than to dance.
1999 to Present
Jack’s question about how to translate the color pencil on black paper drawings:
Endocranial pyrotechnics into paint on canvas spark the creation of this work which uses fluorescent pigments on a black ground and involves the use of airbrush. This is the first wave of Bioluminescent Oceans which is about nothing but constant change, total freedom, and moments of pure ecstasy. It has no conceptual agenda other than to dance.
1999 to Present
Jack’s question about how to translate the color pencil on black paper drawings:
Endocranial pyrotechnics into paint on canvas spark the creation of this work which uses fluorescent pigments on a black ground and involves the use of airbrush. This is the first wave of Bioluminescent Oceans which is about nothing but constant change, total freedom, and moments of pure ecstasy. It has no conceptual agenda other than to dance.